Meet The Residents Wiki

Charles Bobuck (also known as "Chuck," Bob Uck, and Bobby Uck) was a character created and portrayed by Hardy Fox of The Residents.

The character was created for the Talking Light tour, representing an oversimplified version of Fox's role within The Residents as 'Composer and Keyboard Player.' Eventually,

The Bobuck persona allowed Fox to release material that otherwise would not easily fit into The Residents' already considerable oeuvre, beginning with GOD-O in 2011, released through The Residents' RSD website.

As with Randy Rose on Tumblr, Bobuck began making appearances in writings anonymously published by Fox, featuring philosophies and anecdotal life stories of Bobuck's, perhaps inspired by Fox's own life.

When Fox retired from The Cryptic Corporation in 2016, he began publishing a serialized short story titled The Stone. The Stone featured Charles Bobuck as a lead character as well as its own author, Hardy Fox, in a supporting role. The story ended with the dramatic reveal that Fox and Bobuck were the same person, ultimately revealing Hardy Fox's membership within The Residents after decades of anonymity.

Shortly afterward, in October 2017, Hardy Fox announced on his website that Charles Bobuck would be permanently retired after "the pseudonym fell from a tall building head first."[1]

During the same period as Bobuck, Fox also recorded under a variety of short-lived pseudonyms and groups, including Sonidos de la Noche, Black Tar and the Cry Babies, and Bob Uck and the Family Truck. Unreleased material credited to Bobuck has continued to surface following Fox's death from brain cancer in October 2018.


Origins (1945-1963)

Charles Bobuck was born in the mid-to-late 1940s,[2] spending his early years in Texas.[3] As a child he would describe his nightmares to his mother by "banging on the piano and talking in strange voices".[3] At the age of 9 he met a young Hardy Fox, the son of a business associate of his father's; the two families lived 70 miles apart but occasionally visited each other. The two would meet again and become friends in the late 1960s.[2]

Around puberty, Bobuck realized that his orgasms had "a strange aural effect"[3] on him, eventually learning that this was not usual from a friend he had been sexually experimenting with. Bobuck was briefly hospitalized, discovering that he suffered from a mild form of epilepsy which resulted in auditory hallucinations and seizures.

The Delta Nudes (1963-1972)

Bobuck met Randy Rose and Roger "Bunny" Hartley as students at Louisiana Tech in Ruston, Louisiana in the early 1960s,[4] together forming a loose "anti-fraternity fraternity" of like-minded eccentrics and artists, jokingly named "Delta Nu".[4] Bobuck got the nickname "Chuck" from Rose during this time, due to Rose's obsession with the popular song "The Name Game" - the conventions of the titular game meaning that "Chuck Bobuck" ends up rhyming with the word "fuck".[3]

In 1968, Bobuck, Rose and the Hartleys, growing tired of life in the south, all headed for northern California. After staying in San Francisco for several months, where Bobuck briefly associated with a music group named O-bay Scooplaws, the trio ended up in San Mateo, where they decided to remain, living and working in near-total seclusion. The "Delta Nu" group, now reunited for the first time in more than a year, had come to include a rotating ensemble of friends, including brothers Barry and Palmer Eiland, and the four people who would later manage the group as The Cryptic Corporation; John Kennedy, Jay Clem, Homer Flynn, and Hardy Fox.

By this time the group had begun to experiment with painting, silk-screening, and photography, but despite a mutual interest in music and sound in general, they had not yet begun to experiment with making music. This would change when they met multi-instrumentalist Roland Sheehan, who turned up at their apartment bearing a U-Haul trailer full of musical instruments, including a Hammond B3 organ. Around the same time, Bobuck also received a high-end two track reel-to-reel tape recorder as a gift from a friend who had recently returned from Vietnam.

The instruments and tape recorder allowed the group to make a number of primitive reel-to-reel tapes, consisting of improvisations, jams, home studio experiments, and abortive covers of contemporary pop songs. Sheehan left San Mateo later in 1969, however by this point the group had gathered enough recorded material and pawn shop musical instruments to continue recording and compiling tapes without the assistance of the more musically proficient Sheehan.

In 1971, Bobuck and the unnamed group created two demo tapes for submission to Warner Bros. Records executive Hal Halverstadt, titled The W***** B*** Album and B.S.. The group adopted the name Residents, Uninc. after Halverstadt had addressed them that way when returning The W***** B*** Album to their San Mateo apartment with a succinct rejection note.

Composing and arranging for The Residents (1972-2001)

In 1972, The Residents issued their first official release, the double 7" EP Santa Dog, through their newly-founded independent record label Ralph Records. Their debut album, Meet The Residents, was compiled by Fox and Bobuck in accordance with Bavarian avant-garde composer and theorist N. Senada's Theory of Phonetic Organization. The album was released in 1974, and sold only forty copies in its first year.

This was followed by the sessions for Not Available, the group's second album, which the group shelved after completion, in accordance with Senada's Theory of Obscurity. The Residents had also adopted this theory by choosing not to credit themselves personally on their albums or in their press releases, and by appearing only in costume in promotional photos, album art, and in their then-rare live performances.

Bobuck's composition and production work featured on The Residents' recordings throughout the 1970s, 1980s and 1990s, which would gain the group increasing notoriety and appreciation from the music press, their fans, and their peers.

Increasing independence and departure from The Residents (2001-2016)

"Charlie Bobuck"

Throughout his tenure as the primary composer and instrumentalist for The Residents, Bobuck regularly developed ideas that were considered by other members of the group not to constitute Residents releases proper, but rather as related off-shoot projects.

The first example of what would later become known as "Charles Bobuck Contraptions" appeared in 2001 as the EP High Horses, credited to The Residents' Combo de Mecanico. A similarly credited project, the album Coochie Brake (this time credited to The Residents' Sonidos de la Noche) appeared ten years later following the reveal in 2010 of the identities of Randy, Chuck, Bob and Carlos as the members of The Residents.

Following this, Bobuck began to release solo works, or "contraptions", under his own name, officially beginning in 2011 with the release of Dolar Generar in 2011, and continuing with Chuck's Ghost Music, Codgers on the Moon in 2012, and Life Is My Only Sunshine in 2013. The Highway followed in 2014, as well as Roman de la Rose (The Pink Romance), a tribute to Roman, Bobuck's husband of several years.

In 2015, nearing the end of Shadowland (the final installment of the Randy, Chuck and Bob trilogy of tours), Bobuck retired permanently from live performance with The Residents, citing health concerns. Initially Bobuck had intended to continue composing for The Residents, having always preferred his work in the studio to touring as a performance group, but Bobuck would ultimately retire from the band entirely in 2016, with some of his final contributions to the group being featured on their 2017 album The Ghost of Hope.

Retirement (2016-2017)

Following his retirement from The Residents, Bobuck continued to release "contraptions" which he promoted through his website Hacienda Bridge (and its fortnightly newsletter), including What Was Left of Grandpa (which had originally been intended as a Residents album) in 2015. Bobuck was particularly prolific in 2016, issuing a large number of releases, including the autobiographical novella and companion album THIS in 2016.

2017 saw the release of the Meet The Residents cover project Clank Clank Clank, as well as a series of releases in collaboration with Hardy Fox, and a concept album inspired by classic songs from the summer of love entitled Nineteen Sixty-Seven. At the conclusion of Hardy Fox's serialized novella The Stone in October 2017, it was revealed that Fox himself was the true identity behind Charles Bobuck, and therefore the primary composer and arranger for The Residents from their beginning until his retirement.[5]

Shortly after this, Fox updated his official website to state that he had decided to stop recording as Bobuck "when the pseudonym fell from a tall building head first. It will hit the sidewalk eventually and explode like boiled cabbage."[1] Following this announcement, Fox then retired the Bobuck persona permanently, releasing a series of albums under his own name before his death from brain cancer on October 30th 2018.

A series of posthumous releases have followed Fox's death, with a 2020 compilation album, Oddities 2013-2015, being credited to Bob Uck and the Family Truck.


With The Residents (1972-2016)

With Black Tar and the Cry Babies (1982-2017)

Solo projects credited to The Residents

Charles Bobuck contraptions


EPs and singles


See also

External links and references

Wbrmx-sml-transparent.png The Delta Nudes / Residents, Uninc.
(1967 - 1974)